Flume typically makes hip hop, trap, ambient, and future bass music. Mostly bombarded by jazz chords, video game samples and anime samples. Flumes music is very hard to classify into a genre. He is regarded as a pioneer of future bass who helped popularise the genre. Kawaii Future Bass ("kawaii" coming from Japanese meaning cute) is another subgenre. Harley Edward Streten (born 5 November 1991), known professionally as Flume, is an Australian DJ and music producer. To honor one of the genres credited with bringing EDM to the big time, here are 10 of the top future bass tracks of the EDM decade. He got his first taste for producing at age 13 from the most unlikely of places - a music production program. It has been recognised as a genre among Japanese electronic music producers on SoundCloud since the release of the "FÜGENE" future core compilation album in early-mid 2017. Flume, the project of Australian producer and dj Harley Edward Streten (1991), pioneered the genre of future bass. Flume is a 20 year old beatmaker from Sydney. In an interview with NME, Flume spoke about SOPHIE’s influence on him, saying SOPHIE would rock up with this tiny little box, the monomachine by Elektron, and just start.
#FLUME GENRE HOW TO#
DROELOE, RL Grime, Flux Pavilion and other producers have produced tracks of this subgenre.įuture core blends hardcore with the melodic content and sound design characteristics of future bass. The late visionary showed Flume how to produce a future-focused, unique pop melody from seemingly discordant beats, a sound inherent to the PC Music and hyper pop genre. In addition, it is common to utilize a somewhat "twinkly"-sounding gradual rise in pitch during "risers" (pre-drop buildups of white noise), and arpeggio chords, vocal chops or vocoders. The drums consist of kicks and rapid-fire hi-hats that are taken from trap music.įuture trap is a fusion between future bass and trap (which often features hard trap drops as opposed to often synth-laden future bass drops).
Taking a lot of characteristics from trap and progressive house music, future bass is described as having a focus on a supersaw bassline.The sound waves are often modulated using automation or low-frequency oscillation controlling the cutoff of an audio filter (typically a low- or high-pass filter) or the level of the wave to adjust the waveform's volume (to create a ‘ wobble’). Verse 1 The difference in between All the faces you read When the grass ain't green When you fix everything Pre-Chorus I don't know about you But I got to get it out and I don't know how soon.
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